Tuesday, March 21, 2017

Silence The Swamps


It came from the swamp... well in this case Possum Pocket, Alabama. Well truthfully, it actually came from Alberta, Canada. Now residing in Calgary, Silence The Swamps consists of three high school mates creating this swamp water mix of punk, grunge, and surf. They just released their debut album and are proud that each members influences are equally represented in the album.

The album opens with "White Space" which you hear the good old swamp from Possum Pocket. Then the swell of a dirty guitar leads you into this classic punk bass and drum groove. Reminding of of classic old school Offspring slightly with the chorus hook. The dirty guitar nicely in the background leaving ample room for the vocals to take the forefront even though a nice reverb gives the singer a New York Punk sound. The track gets you ready to enter the murky waters of Silence The Swamps.

"Matlock Malfunction" brings a pop punk feel in the beginning with a very Blink 182 sound but quickly dives into a very dirty punk riff that adds a great dynamic between parts. I can just see the crowd go wild when that busts out. Taking another turn for a short bridge a surprisingly catchy hooky vocal comes along. Love isn't always dead will be stuck in your head for hours. Ending the song with returning to that fast punky riff just seems like perfection.

The heat gets turned up for track number 3 titled "Private Reaper". this Horror Punk track channels this great energy that just makes you want to crank the volume up on your speakers! The thick bass really drives the whole song and gets your head banging and feet moving! This track would be killer to see live! The sheer raw energy captured in this track adds a whole new dimension to this album.

"Nightmare Sequence" keeps up the energy by turning up the tempo! The drums are mixed thicker and have more edge to them for this track that really brings up the ferocity of the track. Some nice dynamics keep this track fresh and catchy vocal hooks will have you singing along in no time. The first guitar solo of the album is also featured in this track and in true punk style it has its own unique "I don't give a fuck" feel. The drums are just blasting away and have such a nice bite that really shows off the drummers skill, they really carry the whole track.

"Problems In My Head" starts with a huge in your face guitar riff that sets the tone for this track. The vocals have almost a desert rock feel to them that brings out this new sound with more bite. Once again the chorus has this skate rock anthem feel that could be on any skate video or played at any stadium arena. The 2nd guitar solo has a very surf rock vibe that fits so perfectly. If any song was going to hit the radio, this track would be eaten up by fans of Pennywise, Bad Religion, The Clash and any fan of just good music.

The sixth track, "Bok Choy" has more of an underground feel than the previous track. Reminding me of Smashing Pumpkins, this track has a more music festival vibe than stadium arena vibe. Sounding more like the punk band you would see while waiting for the band you bought tickets for, but instantly fall in love with the band and go buy all their albums. This is the kind of track that is played in all the college bars. At the end of the movie "Euro-Trip" or just played in your walk-man while your laying on the bed at your parents place contemplating life.

"Floyd The Barber" really blows the hairs right off your head! Bringing the dirty grunge out, this track has more distortion and such a darker feel than the other tracks on the album. This would be the climax of the set, having the whole crowd just going nuts as the band blasted this tune, amps turned up to 11. Its a shame its one of the shortest tracks on the album, but I could see the band playing an extended version of this track at shows just allowing the crowd more time for moshing!

The final track "Skulls" is actually the shortest song on the album. Bringing back the classic sound of this album, this track really sums up the album nicely by its catchy vocal hooks, tight crispy drums, thicker than molasses bass and thick and rich dirty guitar. This album is a great summer album, stick it in the car when your going on a road trip or even driving to the supermarket. Put it on at a party and watch as everyone just instantly starts bobbing their heads. As I'm reviewing this album, even my 3 year old son is dancing in the background to this final track. Do yourself a favor and grab this album for your iTunes collection.

Check out their Facebook page here:
https://www.facebook.com/silencetheswamps/


Saturday, March 18, 2017

Download CRNSHFT's New Single For FREE!

 Vancouver, BC’s CRNKSHFT will be unleashing their new self-titled EP produced by Daren Grahn (Metallica, Hedley, Motley Crue, Bon Jovi) on March 24, 2017 to follow their 2015 debut ‘Hard Fucking Rock’.  Since the band’s formation in 2015, CRNKSHFT’s engine has been firing on all cylinders setting their scene ablaze with their explosive, drop tune aggression with melody at its core.  They pride themselves on writing raw, emotional music and when they perform with zero fucks given, what you see is what you get…a leave it all on stage attitude that gets fans fists pumping, head banging and singing along to the band’s anthemic melodies. The band has already been tapped as local support for such touring bands as Prong, Grim Reaper, and The Veer Union.

“We’re not a band that’s going to give you stage props and fake blood and shit, we’re going to give you an emotional rollercoaster, it’s not just straight metal or straight rock, it's a mixer of everything in between, the songs have tonnes of dynamic, and we push for people to get caught up in it.”

Influenced by bands like Alice In Chains, Five Finger Death Punch, Pantera and Godsmack, CRNKSHFT have carved out a sound in the vein of Shinedown, Breaking Benjamin, Alter Bridge plus Black Stone Cherry and are ready to shift gear to full speed.

Teaming up with PureGrainAudio.com, CRNKSHFT have some 'Bad Habits' to brush off onto fans with an exclusive FREE download of their second single at the following link: http://puregrainaudio.com/audio/crnkshft-old-habits-free-song-download

CRNKSHFT is also streaming their first single 'Systematic', which has already won ‘Best Metal Song’ by the Academia Awards Academy in Los Angeles, demonstrating the band's punishing high octane sound is ready to win over the masses. Listen at https://www.youtube.com/watch?v=E8nMR5NEi90 


The wrecking crew comments on the forthcoming EP:

“Our new EP is a beast; we are really excited to showcase our melodic side. The four songs should touch a wide demographic of fans, which is what we want. We aren’t looking to be defined as just a heavy metal band, but as a hard knocking punch to get anyone going. We're accepted by all those who listen to metal and rock. The whole idea of CRNKSHFT’s music is that we’ll be enjoyed by fans across a variety of genres.”

Vocalist Shane Jolie adds about the lyrics:
“This EP is pseudo political, but also has songs about heartache and emotions, it’s not a story from start to finish, and each song has its own message. It’s an EP to show the world who we are and what we’re all about. My writing is dark, ideas came from depression and anger, sometimes when I’m happy, but mostly not and it’s still very true to this day. I want people to take whatever they can from the listening experience of our new EP. Music always helped me out of my funks and I want CRNKSHFT to do the same. Let it be accessible to all people and all feelings.”
Mark it down on your calendar; there is no stopping the CRNKSHFT freight train. Their self-titled EP will be available on iTunes, Bandcamp, CD Baby, Spotify and all major online retailers as of March 24, 2017.

For those in the Vancouver area, CRNKSHFT will be hosting their local CD release show at Hindenburg on March 25th with support from 
Bone State Rebellion, 2 Shadows and Porcelain Sky. Full details can be found here.

Callum Stewart's Music Video For "The Dam" Is OUT!


‘THE DAM’ VIDEO REVEALED WATCH HERE
  Callum Stewart has unveiled the video for his new single ‘The Dam’, out now through Hope & Fury Records. The video premiered with Wonderland who described Callum as a, “Northern Irish heartthrob… we are sure there will be many more hearts in for the melting.”

The video follows a couple's beautiful love story, capturing its stunning highs and lows, soundtracked by the pristine alt-pop and voice of the Northern Irish singer.

Co-written with Jez Ashurst (Gabrielle Aplin, Lawson) and Emma Rohan (James Arthur, Little Mix), ‘The Dam’ follows the breakout success of his single ‘Parachute’ last year, which has clocked up over half a MILLION plays on Spotify.

Regarding ‘The Dam’ and its video, Callum says, “I wanted to convey the desperation in the song visually, representing the optimism and promise in the lyrics. ‘The Dam’ is a song about holding on in the midst of chaos, a song of restoration and hope. Two amazing actors and an incredible team helped bring the video to life, and I hope people love it as much as I do.”
 

Raised on the North coast of Ireland, Callum picked up a guitar at the age of 12 and within a year was writing his own songs. Now he has blossomed from a bedroom singer/songwriter into one of the hottest voices coming from Ireland today. He’s been tipped as a ‘One To Watch’ for 2017 by Hot Press and made the playlists of Irish radio across the country.

Callum has been announced as support for X&Y at Hoxton Bar & Kitchen on March 21st, and will also play in support of Leah McFall at Brighton’s Komedia on April 16th and Seafret on May 2nd at Bush Hall, London.

 
“Irish newcomer set to soar… ‘The Dam’ is a mature, reflective work, with melancholic ache that lingers long after the final notes”
Clash

Jerry Williams Releases Music Video for "I'm Not In Love With You"

‘I’M NOT IN LOVE WITH YOU’
Watch Here
BRAND NEW VIDEO UNVEILED
TAKEN FROM HER LATEST EP LET’S JUST FORGET IT
BBC RADIO 1 SUPPORT FROM HUW STEPHENS

LONDON HEADLINE SHOW
MARCH 28TH – THE WAITING ROOMS

WATCH HER 'VEVO DSCVR' SESSION HERE
“Adroitly executed by a young woman who ‘would happily write songs all day, everyday, forever’. No complaints here if they’re all of this standard.” – The Guardian

“…a carefully-crafted, expertly-produced expression of emotion – something that Jerry Williams has perfected the art of” – Wonderland
21-year-old UK indie-pop artist Jerry Williams has revealed the video for her brand new track ‘I’m Not In Love With You’, taken from her latest EP Let’s Just Forget It, which is out now.
Jerry says of both the song and the video, “'I'm Not In Love With You' is about falling completely out of 'love' with someone and realising you weren't a match made in heaven. The video shows this in a house party setting, similar to the night it was written about, where we're having a good time with friends and sharing mutual feelings of not seeing each other that way anymore.”
With strong worldwide backing from Spotify, who have just added 'I'm Not In Love With You' to the UK's New Music Friday playlist today, Jerry has accrued over 5 million combined streams. As well as BBC Radio 1 spot plays from Huw Stephens, sold out headline shows in both London and Portsmouth, and being tipped as one of The Box TV’s & BT Music’s ‘Ones To Watch’ alongside Declan McKenna, RAYE and Tom Grennan, 2017 is shaping up to be a real breakthrough year for the Portsmouth artist.
As well as ‘I’m Not In Love With You’, her latest EP Let’s Just Forget It, which recently won Best Produced EP at the 2016 Unsigned Music Awards, features five stunning indie pop tracks including Jerry’s previous three singles ‘Mother’, ‘Let’s Just Forget It’ & ‘Velcro’, plus her cover of The Cure’s ‘Boys Don’t Cry’. Listen to the EP in full HERE.
She also recently recorded a session for VEVO DSCVR, which can be watched HERE and which has already surpassed 100,000 views.
After selling out her biggest headline show to date earlier this month, at the Portsmouth Wedgewood Rooms, Jerry is set to headline in the capital at The Waiting Rooms on March 28th, which could well be the last opportunity to catch her in such an intimate setting.
“The Portsmouth teen is dedicated to perfection and she’s close to the mark. This isn’t just another instance of overblown bubble-gum pop, Jerry Williams is the music-fan’s pop star” - Gigwise

“There's a sweetness to her delivery that belies that often personal nature of her lyrics, a
song writing style that cuts a little deeper”
 – Clash


CONNECT WITH JERRY
SOUNDCLOUD // SPOTIFY // TWITTER // INSTAGRAM // FACEBOOK

Ganglyon @ Pat's Pub



Walking into Pats Pub with a charge of remember-able riffage from Trollband on the previous weekend, I was curious for another band I had yet to see. 3 peice and front man odd ball death metal band? Or are they tech-deth? Hmm... Wait... There's a, a stand up bass? OK deth-abilly? Right away you heard the thunderous thumping of their stand up bass, complimenting the huge machine gun double kicks, piercing your chest deep. Their guitarist, a mere virtuoso, whipping out brilliant sweep picking patterns similar to those of Dying Fetus or Archspire. Along with brain melting sweeps, Ganglyon thoroughly melds their set together with brilliant grooves, deadly mini break downs, and ripping blast beats making for exciting fun songs too drink beer and head bang to. Ending a seemingly short set, I was left craving more of what Ganglyon produces. 

Make sure you keep your eyes peeled for the next Ganglyon show and recorded material. I give Ganglyon 6/10 hammers. 
Thanks for reading another Severvancity review and see you at the next show \m/

Wednesday, March 15, 2017

The Racket

Hailing from Bulkley Valley, BC, The Racket formed with the goal of making music that will get your feet moving. Having such a dynamic sound that will get festival crowds dancing as well as losing yourself deep in thought in an intimate coffee shop setting. With their newest self-titled release they aim to push their sound all across the world for new fans to listen to.

The album opens up with "Drunk", already you can hear the musicianship just flow through you giving you chills. The track opens up with a lone guitar palm muting while the vocals come and join. I'm already transported to a concert at the Commodore Ballroom or even Rodgers Arena. Hints of bass start seeping in until finally the reveal of the full band as they enter with this thick groove that gets your head bobbing. The vocal line is already so catchy that I'll be humming it long after this review. Once the main chorus hits your hooked, this is your new favorite band as waves of pure talent sweep over you. You keep thinking no way this opening track can not get any more epic, but then surely it moves on to the next part and outdoes it self. If this is a sample of what to come, then I am very excited!

The next track "Everybody Knows" picks up right where the last track leaves off. Giving you more of a pop indie feel right off the bat. Then suddenly a female vocal joins in out of no way, twinning the already doubled main vocal. Both so tight on their phrases that it almost sounds like they were machines. Every time you expect the vocals to do something predictable, they take your expectations and throw them out the window! The drums are so fantastic about adding the little rhythmic ear candies for you to hear. The thick bass covers the low end so well adding so much dynamics and drama that you barely notice your feet tapping without you even thinking about it. The final groove section hammers that guitar riff into your head and I could see in a live setting, just jamming on that riff letting the crowd dance away until finally ending it with the final vocal phrase "Everybody Knows". Perfection.

"Fortune" starts off with such a bluesy riff that you know this track will just be covered in swagger. This shows how cool these cats are by their ability to rock such a common groove in their own way. Then all of a sudden voices of angels change things up, some fantastic harmonies bring back the theatrics element that I am growing to love with this album. All before busting back into that thick bluesy groove established at the beginning. Being one of the shorter tracks of the album its over before you know it, but that just means you want to click back on your phone and hear it again!

"Underwater" is a track all about tension. Already right from the start, the guitar seems rushed, not badly, but just pushing the beat, creating his own sense of tension. Then when the vocals come in, tight short phrases start getting your blood pressure rising. The drums have this great shuffle going that fits so perfectly. The dramatic breaks are fantastic, letting the vocals sing out. Such vocal control and allowing all the emotion to just burst out. This track really shows a whole other side to this band. Showing the tenacity as a band and talent for such word play from the singer. The whole song just paints a beautiful yet dark picture. Near the end I kept hearing some organ in the track in my head, but that's just the producer in me speaking.

As I said in the beginning, this band prides themselves on the ability to adapt to all venues. "This Train" is one of those tracks, could be perfectly suited for a coffee shop with an acoustic, microphone and a cal-hone. Or it could be on a huge arena stage sounding like Mumford and Sons but just a three piece. Once again, the musicianship is just masterful and allows the lyrics to just sing this beautiful message straight into our brains. This album is more than just music, its an experience. Each track bringing something new.

"Spanish Dancer", number 6 on their album brings things up again. Lets get those feet moving again! The bubbly uplifting bass and drums really make your heart rise. The chorus allows the vocalist to shine again just before it jumps back into the bubbly happy groove. This track is just an all around feel good track. Happy scratchy guitar, thick bouncing bass and light grooving drums all tied together with some fantastic vocals.

Now being more than halfway done the album, "Flow"enters the mix and brings us to a very whimsical land. Some space filled guitar and deep thinking vocals swarm all around you. A nice thick acoustic guitar sits back behind the mix as well. Having a very jazzy feel to the track makes it stand out on its own. I wish the vocals had a little more depth to them, a bit more reverb or effects so that they also sat in the more spaced out feel rather than be completely up front. They sound great, specially when the bass finally joins near the end of the track. Playing around with different grooves really carries on the jazzy feel to this entire track as it keeps your head bobbing but always unsure of what is coming.

"Chapel" starts with one of my favorite chord progressions but with a few twists on it. Once again a scratchy guitar riff lays down the fundamental groovy feel while the bass and drums come in and add almost a disco feel to the track. I had wished there would be some delay on the lead vocals allowing them to also add to the groove. But as the track progresses, it becomes apparent that this is a guitar heavy track that sounds like a blast to perform live with some great instrumental parts. Really allowing the guitar to breathe and showcase all of its hard work.

"The Ballad Of Micky Flinn" introduces a whole new sound. A piano and organ giving this track a dark jazzy blues feel to the track. The super thick organ lays down some serious grooves as we get a bouncy piano on top adding even more bounce to the track. All the instruments though just set the stage for the lyrics. A tale of Micky Flinn, I won't say anymore than that!

"Petty Crimes" is a fast paced folk track. A fantastic accordion keeps your toes tapping. Reminding me of the track "Rasputin". This one would be a blast to do some swing dancing too! Once again I could see getting a whole crowd of music festival goers  dancing away! Production wise it seems more like a fill track than anything. Stacking this track next to some of the earlier tracks it sounds more like an idea than a fully flushed out track. The drums sound more in the background than other tracks. But I love the idea of seeing an accordion up on stage!

"Ball of Evil" almost has a Vogville old school kind of feel, some fantastic writing though. At times reminds me of a couple Jonas Brothers track actually. It has a very Disney feel or musical. Like its a feature piece in a film. It even has a "dance break" where the piano lays down some fantastic licks but I could see two main characters doing some tap style dancing. The ending of the track has this all too catchy chant which will have you singing it for days!

The final track "Build Your Tower High" finishes the album off on a upbeat inspirational note. This great folk tune brings all the theatrical and dynamic pieces from before added with some stellar lyrics really sums up this album. The whole album took you on this roller coaster of a ride but ends with this beautiful message of hope and beauty. I could hear on the radio TODAY and be a huge hit. This is a great cross between folk, country and pop that is both catchy but progressive. Truly a great finish to a fantastic record.

To learn more about "The Racket" vist their Facebook page and links below:
https://www.facebook.com/Theracketofficial/
http://theracketofficial.ca/

Sunday, March 12, 2017

Make History Talent Search - Ten Minute Detour


This indie garage band, Ten Minute Detour, are spreading their music across Canada! We had a quick chat with them about the Make History Talent Search.

Hammer Records: When you think of Jim Beam, what comes to mind? Any crazy Jim Beam stories?
Ten Minute Detour: I think bourbon, and I think Kentucky. As far as crazy stories with Jim Beam, I'm sure there are a bunch that I can't recall, which could be a good thing, or not. We drove down to Nashville to record our latest album with ex-Cage the Elephant guitarist, Lincoln Parish. I can vividly remember driving through Kentucky in October and admiring the trees and thinking how beautiful the landscape was, which led me to even include 'The Derby' in one of our new songs.

Hammer Records: What do you think of battle of the band competitions? Do they help or hinder the local music scene?
Ten Minute Detour: We like to not like them. I think most bands aren't too fond of them. They're all quite different but there's always a sense that politics are in play, which is a part of everyday life I guess. Some competitions focus on making money, which is bullshit, because the bands who work hard selling tickets and getting people in the door, often see little to nothing in return. It's just tough to say 'this band is better than that band', when there are so many kickass artists all working their asses off to make a splash. That said, often bands are looking for exposure, and these come down to that. Not who's the best, but who's going to play in front of a new crowd, who's going to get new listeners.

Hammer Records: What do you think makes the Calgary music scene different and stand out compared to the rest of Canada? When people think Calgary they think country.
Ten Minute Detour: Sure there's a lot of incredible folk and country artists, some of the best. What some people don't know is that there is this cool rocknroll, underground indie, beer-soaked punk scene that sees some awesome bands play on any given night. All it takes is one Wednesday night out at Broken City where you can find Rockin’ for dollars, a game show themed night, where up to 10 bands perform to spin a wheel of awesomeness, all for a $3 cover. The best part is, anyone can play!! It's a super tight knit community of musicians who are interested in supporting each other, and we've got some awesome festivals such as Sled Island, The Big Winter classic, among others, that see more eclectic Canadian bands. We also have the National Music Centre, which makes us the music capitol of Canada, no?

Hammer Records: If you could send a message to the judges, what would it be?
Ten Minute Detour: Pick an artist that is tenacious and relevant in today's music scene, determined to pursue their craft, will work towards a global reach and further promote the Canadian music scene. Choose the artist who is marketable, determined, and willing to make this their career.

To find out more about Ten Minute Detour go check out their Facebook page:
https://www.facebook.com/TenMinuteDetour/

Saturday, March 11, 2017

Make History Talent Search - The Nursery


Toronto favorites, The Nursery, is bringing their eargasmic tunes to the world.  We spoke to the band about their thoughts on the Jim Beam Make History Talent Search.

Hammer Records: When you think of Jim Beam, what comes to mind? Any crazy Jim Beam stories?
The Nursery: At first, I think hmm...'Jim Beam', must be some cosmic cowboy with a raygun. Jimmy Beam! Quickest scoundrel on this side of the galaxy. But this Jim, he's different. He came from southern Kentucky, made some bourbon, and wants you to know about it.

Hammer Records: What do you think of battle of the band competitions? Do they help or hinder the local music scene?
The Nursery: Competitions set up precedents for a winner and loser. It's not productive to essentially name artists as "losers" in a purely subjective field. However, I feel healthy competition does often inspire more grit and determination to rise up to a challenge, wherein handouts from friends or peers don't encourage anything. We rather be challenged to better and prove ourselves rather than rest on laurels of unconditional support. Competitions need to be on top of how they are run and made sure they are inspiring hard work and not running a glorified popularity contest.

Hammer Records: What do you think makes the Toronto music scene different and stand out compared to the rest of Canada?
The Nursery: Toronto has probably the most culturally diverse community of performers. Where else can you find singer-songwriters, hip-hop voices, folk artists, rock bands, punks, metal musicians and DJ's performing within blocks from each other? It's a melting pot of genres, experiments, and ideas.

Hammer Records: If you could send a message to the judges, what would it be?
The Nursery: Cultivate and spot truly unique talent when you can. You're the seasoned industry vet right? We all need authenticity more than ever right now. Don't make it a popularity contest or make a decision based off a trending flavor of the month (or year). You know better. Take a risk. Discover the new Bjork, Bowie or Cobain. Not the ones who emulate them. They'll be the kids who are a little rougher around the edges. Who didn't rehearse every word and movement. There's so much locked up inside them they often don't know how to wield their powers. They need your guidance and vision!

Check out more about The Nursery on their Facebook page here:
https://www.facebook.com/thisisthenursery/

Make History Talent Search - Good Kid


Computer Science brought them together, but music binds them together. We had a great chat with GOOD KID about their shot at the Make History Talent Search.

Hammer Records: When you think of Jim Beam, what comes to mind? Any crazy Jim Beam stories?
Good Kid: Once while the band was on tour in Budapest, we were  overtaken by a gang of bandits, they held us at gunpoint while they riffled through what little we had in our van, taking all that was valuable. It wasnt until they found the single bottle of Jim Beam® Double Oak we had stashed away in the glove box that they had a change of heart. It seems that although they were hard done by and had turned to a life of crime to make ends meet, the realization that we too enjoyed the intense caramel and toffee flavors of Jim Beam's finest, made the act of theft all to real. What started out as robbery turned into a friendship that night, and we keep in touch with the gang to this day.

Hammer Records: What do you think of battle of the band competitions? Do they help or hinder the local music scene?
Good Kid: In general we're not really a fan of the battle of the bands type shows. Typically they're run by promotion companies built to take advantage of bands. The bands playing don't get paid but they get pressure to sell tickets, you play for "exposure" which is very rarely a good thing. There's a lot of scam type organizations in Toronto that run these things so you need to be careful. 

That being said Make History Talent Search did a great job. There was no charge at the door, we were treated really well, there was no pressure put on us from the promoters, and we got to play with some amazing bands in front of a ton of people. If all the battle of the bands that happened were like this one then I would say they're amazing for the local music scene.


Hammer Records: What do you think makes the Toronto music scene different and stand out compared to the rest of Canada?
Good Kid: The music scene stands out for the same reason that the city stands out from not only other cities in Canada but the rest of the world, we're one of the most diverse cities out there. There's so many different voices in Toronto, and you can enjoy them all, borrow from them and create things with a wide array of influences. 

Hammer Records: If you could send a message to the judges, what would it be?
Good Kid: Thanks for coming out, next time pick us!

To find out more about Good Kid, go to their Facebook page here:
https://www.facebook.com/goodkidband/

CBC Searchlight - The Fig & The Flame


We spoke with the Calgary musicians about their thoughts on the CBC Searchlight contest. This duo are spreading their brand of folk music across Canada.

Hammer Records: Is this the first time you’ve entered into the CBC Searchlight Contest?
The Fig & The Flame: It is! Our friends have entered in previous years and we've witnessed the incredible community building aspect of being involved; learning about other Canadians in the same boat as us, hearing their tunes, and sharing one of ours. Win or no win, entering this year was a no-brainer for us!

Hammer Records: Which of the prizes are you most excited about?
The Fig & The Flame: A two-week song-writing workshop would be incredible, and with a mentor present, we could really learn to capitalize on our strengths and grow where we're weak. As emerging artists, any kind of word-of-mouth momentum and funding would make a huge difference. To be recognized among all of these insanely talented acts would mean so much to us, and make such a difference in our journey as a band.

Hammer Records: How would you describe your music to a brand new listener?
The Fig & The Flame: If a blues singer and a Celtic nymph walked into a bluegrass bar and ordered a folk tune pint, and the bartender poured a delicious brew of cascading harmonies, it might be a The Fig & The Flame tune.

Hammer Records: What made you pick the piece of music/video to enter?
The Fig & The Flame: Hundred Lips is a "tough love" kind of song. It's a call to the act of loving one another on a global level. It was written before some of the most notable volatile developments took place in North America in recent months, but seems like something worthy of sharing at this moment.

Hammer Records: If you could send a message to the judges, what would it be?
The Fig & The Flame: First we'd say thanks for having a listen, we hope you enjoyed! We hope you find what we have to say relevant and the sound of our music fresh!

Check out more about The Fig & The Flame on their Facebook page:
https://www.facebook.com/figandflame/

Friday, March 10, 2017

CBC Searchlight - Claire Ness


We had a nice chat with Claire Ness about her entry into this years CBC Searchlight contest. Hailing from Whitehorse, shes bringing her unique brand of Folk-Jazz-Blues-Swing-Country to the rest of Canada.

Hammer Records: Is this the first time you’ve entered into the CBC Spotlight Contest?
Claire: This is my third time entering Searchlight. This is by far the most stressful time I entered Searchlight. Haha! I have a 10 month old baby now, and I was preparing for the release of my new album "On the Trail". Added to that was the fact I don't have the internet right now so I ended up parked outside my friend's house at -30C, hijacking her internet while the baby slept in the back, in order to upload my video for the deadline. I had almost given up, but then my umpteenth try finally worked! All to say, getting past all the obstacles made this year felt like the first time.

Hammer Records: Which of the prizes are you most excited about?
Claire: Wow. Well they are all such incredible prizes. I think I am most excited about the Banff residency. Although, a shitload of money and equipment is always appreciated too.

Hammer Records: How would you describe your music to a brand new listener?
Claire: Country meets jazz cabaret. Roots Ragtime. Bluesy folk.

Hammer Records: What made you pick the piece of music/video to enter?
Claire: I chose my song "Waffle Boarding" - a hockey themed song - because I felt like it would reach out to the bulk of Canadians eh! Plus it's just such a fun little video.

Hammer Records: If you could send a message to the judges, what would it be?
Claire: I am grateful for the opportunity to have my work seen and heard nationally. And thank you for choosing me as one of the TOP 10 from the North!

To find out more about Claire Ness, go to her Facebook page here:
 https://www.facebook.com/clairenessmusic/

Thursday, March 9, 2017

Make History Talent Search - The Ruffled Feathers


Jim Beam teamed up with Canadian Music Week to find some of the best talent in the country. We spoke with The Ruffled Feathers about their upcoming show at the Roxy.

Hammer Records: When you think of Jim Beam, what comes to mind? Any crazy Jim Beam stories?
The Ruffled Feathers: When I think Jim Beam I think bourbon, which makes me think old fashions and whiskey sours. No crazy stories really, just a liquor cabinet that is getting too small because I have a lot of curiosity when it comes to making nice drinks.

Hammer Records: What do you think of battle of the band competitions? Do they help or hinder the local music scene?
The Ruffled Feathers: Battle of the Bands can be a lot of fun. It's a great way to get to know and connect with more artists. Every contest is different and the opportunities they create can make a difference for a lot of artists. I think they can be especially useful for new artists.

Hammer Records: What do you think makes the Vancouver music scene different and stand out compared to the rest of Canada?
The Ruffled Feathers: Vancouver has a lot of talent and the community just keeps getting stronger. There is a lot of outreach when it comes to music education and supporting artists with the tools and skills needed to succeed. We haven't had much of a chance to play elsewhere in Canada. BC is really when it comes to our music.

Hammer Records: What do fans have to look forward to in your performance on Thursday? Anything special? New songs? Surprises?
The Ruffled Feathers: We have a new full length album coming out early this summer. We'll be doing three songs from that recording.

Hammer Records: If you could send a message to the judges, what would it be?
The Ruffled Feathers: Thanks for listening!

Follow more of the Ruffled Feathers on their Facebook page here:
 https://www.facebook.com/pg/theruffledfeathers/

CBC Searchlight - Prescilla


We chatted with Toronto musician Prescilla about her entry into the CBC Searchlight Contest.

Hammer Records: Is this the first time you’ve entered into the CBC Spotlight Contest?
Prescilla: Last year was the first time. I entered in my first single LOVE AT FIRST SIGHT -  https://www.youtube.com/watch?v=9B23WjNnplM
This year, I entered  I LOVED YOU, off my debut album MUSIC THERAPY which I self produced.

Hammer Records: Which of the prizes are you most excited about?
Prescilla: I'm most excited about the opportunity, not so much about the prizes. The opportunity to be seen and heard by the amazing artist panel is  an honour, sincerely!

Hammer Records: How would you describe your music to a brand new listener?
Prescilla: Prescilla Una is mix of Alanis Morestte, Lana Del Ray m Jewel and Modonna

Hammer Records: What made you pick the piece of music/video to enter?
Prescilla: I lOVED YOU is a great example of my music arrangements. This song has two separate movements that complement my story telling and singing. Also, the Director and I really laboured over the visuals to match the song writing and feel. This is a hit in my eyes!

Hammer Records: If you could send a message to the judges, what would it be?
Prescilla: I've been in music since I was a kid, professionally since 2012. I'm an indie solo artist with enough skills and talents to not only help myself, but help other indie artists to succeed. I've organized events specifically in the Toronto indie community so that we al grow together in the scene. I feel its time for me to level up in my career, I'm READY! Thank you for taking the time to hear my music and to learn about  me and my life story in music.

To find out more about Prescilla's music go to her Facebook page:
https://www.facebook.com/pg/PRESCILLATORONTO

CBC Searchlight - Aiden Myers


Hailing from Toronto, we had a brief chat with Aiden Myers about his entry into this years CBC Searchlight Contest.

Hammer Records: Is this the first time you’ve entered into the CBC Spotlight Contest?
Aiden: Yes, This is the first year I have entered, and I'm so happy I had a finished product to submit. I think it's amazing that CBC is giving all of us emerging songwriters and musicians a chance to really get a leg up, and push our careers forward.


Hammer Records: Which of the prizes are you most excited about?
Aiden: The prize i'm most excited for is for sure, is the trip to banff. I think it would be a once in a lifetime opportunity to surround myself with canada's most talented people, in canada's most magical location. I Think there's so much inspiration out there, especially surrounded by so much beauty and art. And to get to spend 10 days there? I would be happy with 10 hours. so thats forsure what stands out to me!


Hammer Records: How would you describe your music to a brand new listener?
Aiden: I describe my music as a crossover genre between pop, pop/rock and hints of modern country. Think 2006 John mayer, mixed with Hedley, and keith urban.

my songs are true to me. I also tie in catchy hooks, along with powerful lyrics to captivate anyone who lends and ear to my art.

Hammer Records: What made you pick the piece of music/video to enter?
Aiden: This song, Keep My sweater is the first single I have released worldwide. Besides for that, I picked it because the whole story behind it is true, and means alot to me. its about that girl thats gone, but no matter what you'll always care for that person. That being said, I just felt that it was the right tune to submit, because I know a lot of people would be able to relate to it, and share what I felt and what I'll always feels for that one special someone I had in my life.


Hammer Records: If you could send a message to the judges, what would it be?
Aiden: Honestly that I think there's so many amazing artists in this competition, and i'd just wish them luck on trying to pick the best ones to move forward (cause I know I would have a hard time deciding that hahah). But seriously There's no reason why I personally deserve this, obviously I want to win, everyone wants to win, But every last person in this competition is working just as hard to get to that place I want to be in.   


Learn more about Aiden Myers by following his Facebook page:
https://www.facebook.com/aidenmyersmusic/

CBC Searchlight - Dylan Holton

We had a great chat with Dylan Holton about his entry into this years CBC Searchlight Contest. His long resume of accomplishments has proven that Dylan has lived more life than most his age.

Hammer Records: Is this the first time you’ve entered into the CBC Spotlight Contest?
Dylan: This is the first I’ve entered the CBC Spotlight Contest. I’ve been on tour most of my career so now that I have some more down time, it’s nice to enter rewarding contests such as this one.

Hammer Records: Which of the prizes are you most excited about?
Dylan: After taking  look at the projects, I guess it’s safe to say I’d be most excited about the Career Booster Kit. One of the biggest money makers for me over the years has been selling physical copies of albums while on tour. But in reality, I was always interested where my music would take me if on top of sales, I had real in depth marketing strategies practiced with my work. I love the music and performing live the most, but I have a strong passion for the business side of the music too.

Hammer Records: How would you describe your music to a brand new listener?
Dylan: This is always a tough question for any independent artist. I’ve been compared to a lot of main stream acoustic pop artists like Mraz or Sheeran, so I guess I’d just have to describe it as easy listening and inspirational. I write a little bit of everything so I like the listener to take the music as they please and categorize it themselves.

Hammer Records: What made you pick the piece of music/video to enter?
Dylan: Actually my sisters, Mom & Dad have mentioned this contest in the past. They felt my song “Yes She Does” had the best chance. It’s had some recognition in the past as some of my other songs, but I’m hoping someone hears potential in this song and maybe would like to explore the option of using it, or digging deeper into some of my songwriting. I liked the video for this as well because it was the first time I went all out doing a 100% independent video. I think it turned out pretty fun.

Hammer Records: If you could send a message to the judges, what would it be?
Dylan: If I could reach out to the judges I’d let them know that if they considered me to be one of the finalists for this contest, they would have one of the hardest working and most passionate singer/songwriters on hands. Hopefully I can tell them personally in the near future.

To find out more about Dylan Holton, check out his Facebook page here:
https://www.facebook.com/pg/holtonmusic/

CBC Searchlight - Stan Simon

We had a few words with long time musician, Stan Simon, about this years entry into the CBC Searchlight contest.

Hammer Records: Is this the first time you’ve entered into the CBC Spotlight Contest?
Stan: No, I've entered twice before. I think it's a great contest and an equally great platform for people to hear new music and for musicians to spread their own.

Hammer Records: Which of the prizes are you most excited about?
Stan: Nothing in particular. I think I would be humbled to win anything. Mostly, I'd like to gain new listeners and meet new folks along the way.

Hammer Records: How would you describe your music to a brand new listener?
Stan: I attempt to make my listeners feel like part of a scene in a film, adhering to a dark theatrical tone shaped from traditional genres.

Hammer Records: What made you pick the piece of music/video to enter?
Stan: It's new and I have a video for it. Plus, I think it's a good tune!

Hammer Records: If you could send a message to the judges, what would it be?
Stan: I hope you enjoy what you hear and thanks for listening.

To find out more about Stan Simon and The Hotel Bible follow his Facebook page here:
https://www.facebook.com/pg/stansimonmusic/

Wednesday, March 8, 2017

CBC Searchlight - Venus Syndrome

We spoke with Adam, creator of Venus Syndrome, about his entry into the CBC Spotlight contest this year and this thoughts on the contest.

Hammer Records: Is this the first time you’ve entered into the CBC Spotlight Contest?
Adam: I entered my song 'Mistakes' from an independently released album called 'Songs From the Ending Road' in 2015.  That was my first Searchlight entry. 

Hammer Records: Which of the prizes are you most excited about?
Adam: Though all of the prizes sound amazing - notably the support they would provide to the winners' music careers and aspirations - I'd have to say the commission of a new song at the Banff Centre would have to the the highlight for me.  The creative process is something I really enjoy.

Hammer Records: How would you describe your music to a brand new listener?
Adam: My music sounds a bit 'retro', sort of 70s-ish, perhaps due to my preference for piano-based writing, which is still a bit unusual today.  I also have a pretty organic sound inspired by straight use of the guitar/piano, bass/drums mix, with occasional leads.  Perhaps organic, retro indie pop/rock.  That's a mouthful, though.  Needs tweaking.

Hammer Records: What made you pick the piece of music/video to enter?
Adam: I wrote the song 'Closing That Prison Down' when the closure of the maximum-security prison Kingston Penitentiary was announced.  KP looms large in Kingston's story, and is a part of the town, like an elephant in our collective room.  I wrote it after taking one of the first rare tours a few years ago, and it stuck with me.

Hammer Records: If you could send a message to the judges, what would it be?
Adam: I hope you like songs that tell stories, and try to resonate with communities by connecting people through shared stories.  As a songwriter, after having written a rare song that I feel achieves this, I feel like I've written something special that needs to be shared.  I hope you agree!

To find out more about Venus Syndrome, go to their Facebook page:
https://www.facebook.com/pg/venussyndrome/


CBC Searchlight - Michael Fabro

Having traveled the world in pursuit of music, we managed to have a few words with Michael Fabro about his entry into the CBC Spotlight contest.

Hammer Records: Is this the first time you’ve entered into the CBC Spotlight Contest?

Michael: Yes, it’s the first year I’ve submitted.  This year I feel I have something that needed to be shared!

Hammer Records: Which of the prizes are you most excited about?
Michael: I think more than anything the biggest prize is national exposure.  It’s so difficult to break through as an artist and this competition provides a great platform to do so.  That being said, a two-week song-writing residency in Banff is something I’d jump on in a heartbeat.  To focus on writing alongside some great mentors in an ideal environment would be invaluable!

Hammer Records: How would you describe your music to a brand new listener?

Michael: Pop, Singer-Songwriter with a bohemian twist.  Imagine an acoustic pop artist playing a flamenco guitar and adding subtle elements of Spanish guitar fusion within a very accessible pop sound.  That’s the music I make.

Hammer Records: What made you pick the piece of music/video to enter?
Michael: This piece of music is real, raw and honest.  There’s no hiding behind the writing, it’s an expression of unrequited love and a story that I lived. I moved to Barcelona for two years to study a Masters in classical music and while I was there I met a local girl.  The way that I felt about that relationship led me back to song writing, as I felt it was the only way to properly channel my emotions back into my music.  I think beyond that, at some point or another, many of us have gone through a similar experience.  “Waking Up Alone” is universally relatable and I hope that it connects with people and their own individual experiences.

Hammer Records: If you could send a message to the judges, what would it be?
Michael: I think all I can do is send a message of thanks! There are 1200 submissions that a highly talented panel of industry professionals are objectively sorting through.  I think Searchlight is an unbiased, original music competition that isn’t involved in music industry politics.  It’s about the writing and the music and it takes an incredible amount of time, energy and patience to give every submission a fair chance. I have nothing but gratitude for all the judges involved and for providing their expertise.

To find out more about Michael Fabro check out his Facebook page here:
https://www.facebook.com/pg/michaelfabromusic


CBC Searchlight - Sarah Jickling And Her Good Bad Luck

We had a nice chat with Sarah Jickling (former lead singer of the Oh Wells), about her entry into the CBC Spotlight and her thoughts on the contest.

Hammer Records: Is this the first time you’ve entered into the CBC Spotlight Contest?
Sarah: This is the first time I've entered the CBC Searchlight Contest. I generally tend to stay away from voting contests. I've been in a band since I was in high school, and I think after seven years your friends and family don't have a lot of energy to be voting every day. But I thought, I've got a new solo project, a new single, and my first solo album won't be out until June, so why not see what happens?


Hammer Records: Which of the prizes are you most excited about?
Sarah: I would be very excited to perform at the CBC Music Festival in Toronto. Live performance is my happy place, where I'm not worrying about mistakes I've made in the past or how I'm going to handle things in the future. And of course, the opportunity to perform in front of a brand new audience is always exciting. You never know who will be in the crowd!


Hammer Records: How would you describe your music to a brand new listener?
Sarah: Maybe...."Light hearted pop with heavy things to say." I've also been described as Regina Spektor meets Lorde with an Amanda Palmer attitude, for those who prefer music references.


Hammer Records: What made you pick the piece of music/video to enter?
Sarah: My single "Valentine" was released on World Bipolar Day, and is in reference to my struggles with bipolar disorder. It's an ode to those people in my life, and in the lives of every person living with a mental illness, who never leave. I directed and edited the video myself with the help of my boyfriend at the Vancouver Public Library, and I'm pretty proud of it. Arthur wasn't kidding when he said "having fun isn't hard when you've got a library card."


Hammer Records: If you could send a message to the judges, what would it be?
Sarah: If I were to win, the real prize would be reaching more people who connect with my music. I work with Reach Out Psychosis, a group that travels to high schools educating teenagers on mental health through music and dance. When I meet these kids and have an opportunity to help them get through things that I've already gone through, I am reminding why I decide again and again to choose this challenging career. I have something to say, and I want to say it to all those people out there who need to hear it.

CBC Searchlight - Luna Li

We spoke with the garage rock princess of Toronto, Luna Li, about her entry into this years CBC Spotlight contest.

Hammer Records: Is this the first time you’ve entered into the CBC Spotlight Contest?
Luna Li: Yes, this is our first time!

Hammer Records: Which of the prizes are you most excited about?
Luna Li: We are most excited about the chance to play at the CBC Music Festival in the summer; we love to play outdoors and would like to get on as many music festival bills as we can this summer.

Hammer Records: How would you describe your music to a brand new listener?
Luna Li: Our music is dreamy indie rock, female centric/girl power vibes, with a mix of distorted guitar and layered violin loops.

Hammer Records: What made you pick the piece of music/video to enter?
Luna Li: We picked our Southern Souls video because it's a fun, professionally shot video that showcases our live performance and energy.

Hammer Records: If you could send a message to the judges, what would it be?

Luna Li: We would just say thanks for your consideration and for being involved on CBC's panel; we love the diversity of people, music and culture that CBC showcases and would be excited to be a part of that if we were chosen.

To find out more about Luna Li, visit her Facebook page:

https://www.facebook.com/pg/lunaliband

CBC Searchlight - Megan Anne


We had a nice chat with Megan Anne, a singer-songwriter from Barrie Ontario, about her entry into the CBC Spotlight Contest.

Hammer Records: Is this the first time you’ve entered into the CBC Spotlight Contest?
Megan: This is my second year entering into the CBC Searchlight contest.

Hammer Records: Which of the prizes are you most excited about?
Megan: This is a difficult question, because all of the prizes offered would be incredibly valuable in helping build my career. With that being said my top two would be the Canadian Musician Career Booster kit, and the opening slot at the CBCMusic Festival in Toronto. The Career Booster kit would be amazing because it includes studio time and distribution, which would be very helpful. The festival slot would be phenomenal because in my heart I am a performer. Performance is one of my favourite aspects of music, and to have the opportunity to do so alongside musicians that I admire would be absolutely incredible.

Hammer Records: How would you describe your music to a brand new listener?
Megan: My music holds a sort of indie-acoustic-pop vibe. I like to write catchy melodies and authentic lyrics. My voice has been compared by listeners to Amy Winehouse, Halsey, and Hayley Williams. I’m extremely flattered (although I’m not sure I believe them.) In addition to those artists, I’m influenced by Marianas Trench, Taylor Swift, Ed Sheeran, and Scott Helman. I like to think if you put all of their music in a blender you’d get something close to me.

Hammer Records: What made you pick the piece of music/video to enter?
Megan: For the CBC Searchlight contest I entered my original song “I Want You To Know.” I picked this song for a variety of reasons. For one, I think it’s accessible, because it’s short and danceable. Additionally, I was able to submit both the radio-ready recorded version as well as a recent live video. I wanted to share my live performance because I think that being able to perform and sing live is very important for a musician.

Hammer Records: If you could send a message to the judges, what would it be?
Megan: That I’m willing to work hard! I didn’t enter this contest on a whim, I entered because I want to be a professional musician. I’m currently studying at York University to get my BFA in Music. I’ve been singing my whole life. Right now I am very much a DIY musician – writing all my own songs, booking all my gigs, maintaining my website and all of my social media, right down to designing my business cards. I’d love a chance to sit down and talk with any of the judges or industry panelists on how to further my career. (Additionally, the judge Dan Kanter is a York U Alumni, and I’d love to chat about the best places to get food on campus.)

To find out more about Megan Anne, check out her Facebook page:

https://www.facebook.com/pg/MeganAnneMusic